Fiber Art Publications:

1.  Holtzer, M. and Holtzer, A., “The Natural Dye Myth”, interweave, Vol. IV, No. 3, 8 (1979).

2.  Holtzer, M., “Diagonal Triple-Turn Card Weaving”, Shuttle, Spindle & Dyepot, Vol. XI, No. 2, 100-102 (1980).

3.  Holtzer, M.F., “Weave? Why?”, interweave, Vol. V, No. 2, 37 (1980).

4.  Holtzer, M.F., “Double- and Double-Faced Cloth on Six-Hole Cards”, interweave, Vol. V. No. 2, 66-67 (1980).

5.  Holtzer, M.F., “Chemical Eye Injuries and Contact Lenses: A Dangerous Combination”, Shuttle, Spindle & Dyepot, Vol. XII, No. 1, 7-8 (1980); reprinted in Craft News (Ontario Crafts Council) Vol. 6, 5-6 (July 1980).

6.  Holtzer, M.F., “A Wasteless, Waistless Dress”, Handwoven, Vol. II, No. 3, 85-86 (1981).

7.  Holtzer, M.E., “Double-faced, Double-woven Three-harness Krokbragd”, Shuttle, Spindle & Dyepot, Vol. XIV, No. 4, 46-50 (1983). N.B., in the original publication, pages 48 and 49 were reversed and a line was omitted. This technique is described and was used to weave Project 6 in “Krokbragd How to Design & Weave” by Debby Greenlaw, 102-109 (2019).

8.  Holtzer, M.E., “Sheila Hicks”, Shuttle, Spindle & Dyepot, Vol XVI, No. 1, 43 (1984).

9.  Holtzer, M.E., “BEGINNING WITH BANDS: Tablet Woven Garments and Accessories”, The Weaver's Journal, Vol. IX, No. 3, 28-33 (1985).

10. Holtzer, M.E., “Double-Faced Krokbragd”, The Weaver's Journal, Vol. IX, No. 4, 59-62 (1985). This technique is described and was used to weave Project 6 in “Krokbragd: How to Design & Weave” by Debby Greenlaw, 102-109 (2019).

11. Holtzer, M.E., “Meet, Cross, and Separate”, Shuttle, Spindle & Dyepot, Vol. XVI, No. 3, 17-19 (1985).

12. Holtzer, M.E., “Blouse of Cards”, Shuttle, Spindle & Dyepot, Vol. XVI, No. 3, 20-21 (1985).

13. Holtzer, M.E., “More Wonderful Ways to Use a Spreadsheet” (in Fiber Forum), Shuttle, Spindle & Dyepot, Vol. XVII, No. 4, 10 (1986).

14. Holtzer, M.E., Description of Variations of Meet, Cross, and Separate Technique, and photos of Gradations I and Iterations II appear in Geometric Design in Weaving by Else Regensteiner, pp. 15, 108-111, Schiffer, West Chester, PA (1986). N.B., Gradations I (p. 15 and p. 108) was woven using the meet and separate technique, not the meet, cross, and, separate technique as described in the figure legends.

15. Holtzer, M.E., “Blouse of Cards”, Handweavers' Guild of America 1987 Calendar.

16. Mullarkey, John; Holtzer, Marilyn Emerson; Hoffman, Luise; Treumann, Jo Ann; White, Bonnie, A Tablet Weaver’s Pattern Book, (2007).

17. Holtzer, M. E., “Deann Rubin: FACE IT”, Tapestry Topics, Vol. 35, No. 4 (2009).

18. Holtzer, M.E., “Talking Textiles: Marilyn Emerson Holtzer”, St. Louis Beacon, Sept. 15, 2011.

https://news.stlpublicradio.org/post/talking-textiles-and-weavers-guild-st-louis#stream/0

19. Holtzer, M.E., “Treadles to Tablets: Boundweave Turned and Twisted”, TWIST, Vol. XIX-1, pp. 1,4-6 (2012).

20. Holtzer, M.E., “Marylin [sic] Holtzer, Tablet Weaver: Interview with a TWIST Founder”, TWIST, Vol. XIX-1, pp. 8-9 (2012).

21. Holtzer, M.E., “Variations on Vestiges of Vikings”, TWIST, Vol. XX-2, pp. 8-9 (Summer 2013).

22. Holtzer, M.E., “’Running Dog Days’”, TWIST, Vol. XXI-1 pp. 6-7 (Fall 2013/Spring 2014).

23. Holtzer, M.E., “Double and Double-Faced Textiles Woven using Hexagonal Tablets: A Threading Variation”, TWIST Journal, pp. 12-14, Vol. 26-2, (2019).